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Covering news in the era of digital disruption

FCC_JC23042016_0783LFCC_JC_23042016_1150LThe FCC’s first Journalism Conference saw a packed house in the Main Dining Room and Verandah as panelists of senior editors and reporters talked about the issues confronting journalists in the era of digital disruption.

Although Paul Beckett, Asia Editor for The Wall Street Journal, did not see it as digital disruption, rather that it was the “most creative – and best – era for journalists”.

The first session really got to the meat of it: kickstarting your journalism career. The panel of senior editors, moderated by Tara Joseph, Chief Correspondent Asia for Reuters TV, spoke about what they thought were the key qualities for aspiring journalists.

David Merritt, Executive Editor, Asia for Bloomberg News: “Passion for news.”

Anne-Marie Roantree, Hong Kong Bureau Chief for Reuters: “Curiosity and perseverance.”

Beckett: “All journalists should be digital journalists.”

Phil Pan, Asia Editor for the New York Times: “Someone who stands out in their reporting and writing.”

You might expect financial news reporting to require financial expertise. While such experience can be an advantage, Merritt says Bloomberg doesn’t require detailed financial knowledge. “Most of this stuff can be taught on the job through our big training team,” he said. “Passion and curiosity are more important.”

Merritt, who noted that he had a degree in English literature, said they do subject job candidates to a three-hour writing test which not only tests writing ability, but as importantly news judgement.

Merritt said Bloomberg has a policy of moving people around into different roles, many of which they could be
completely unaware of initially. “However, a strong newsroom has a mixture of those with a financial background and those with other kinds of backgrounds – you need diversity to make a newsroom vibrant.”

Language skills seem to be essential for Hong Kong-based reporters.

“In Hong Kong at the moment, a lot of our reporters are trilingual, which is a necessity at this time,” said Roantree. “However, I don’t agree that a reporter has to be a fabulous writer.

“We have a number of brilliant reporters who are not the best writers – that’s why we have editors.”

Besides languages, should everyone be also experts in some of the tech areas?

“We have people who do great video or graphics or video editing,” said Beckett. “But ideally, as an editor you bring all the elements of a story together – from beginning to end using all the available talent in the newsroom. I don’t need you to know how it is done, but I need you to be aware what the possibilities of the various media are.”

Beckett said when he interviews someone he always asks, “Do you have any questions?” So when he gets the the common reply of, ‘no, I think you have covered everything’, it’s not the answer he wants to hear. “As a journalist your job is to ask questions, so come up with some – even if you can’t think of anything relevant – to show what you can do.”

It is a very competitive landscape for people aspiring to New York Times jobs.

“Job candidates – or even NYT staff – should be thinking about what they want to be doing in five years’ time,” said Pan. “Then make sure you are doing the jobs and learning the skills that will help to achieve those goals.

“If you are thinking of applying for NYT, then you should be doing the jobs that you think the NYT might be looking for.”

Following the money: the document dive
FCCJC_2390LIMG_1438LThe next session covered how to find, access and interpret documents to build paper trails for companies and individuals.

The panel included Michael Forsythe, Reporter, The New York Times, Ben Richardson, Freelance Editor and Tom Wright, Reporter, The Wall Street Journal. The moderator was Natasha Khan, Reporter, Bloomberg News.

Khan, Richardson and Forsythe were part of an award-winning Bloomberg News team that produced “Revolution to Riches” in 2012, a series that uncovered the financial holdings of China’s ruling families. Tom Wright was involved in uncovering the story of Malaysia’s 1MDB scandal.

For Michael Forsythe, “document diving changed my whole journalistic career, thanks in part to Bo Xilai”.

When he was at Bloomberg the team was trying to get ahead of the story that had seen the Wall Street Journal produce a series of scoops about Bo Xilai. “We started writing about the Bo family fortune. There was so much noise in the Chinese journalism world you didn’t know whether to believe it or not. However, when you attach on-the-ground reporting to documentation it becomes clearer. It’s not rocket science but you need a lot of patience.”

For Ben Richardson, document diving “was a revelation for me, how much you could prove and how independent it made you, no longer relying on sources except for confirmation”.

It was during the Xi Jinping story (links to the favoured wealthy families) “that we came up with rabbit-holing where you spend hours and hours a day going through, say, registry filings, and you end up following this trail of coincidental things that eventually turns into an investigation.”

However, to do that “it’s incredibly important at the outset to set up a spreadsheet with the appropriate parameters and fields so you can track the details – whether it’s nominees, corporate secretaries or addresses”. It helps that all financial documents are basically the same language, whether you look up filings in London, Hong Kong or Singapore, they all have common fields.

“All this needs to be inputted at the start otherwise you can end up six months down the line scrabbling through piles of documents to find some vague reference you remember that is now crucial to the story.”

Tom Wright said you should not start with the documents before the reporting as you will be dealing with a mountain of stuff without a clear direction to go. “So you need to match your traditional bootstrap reporting with the documents.

“You are going to need to go to local reporters, talk to people and find the rumours and then you can find the documents to back up what you are trying to prove.

“In our case it was a rumour that 1MDB was overpaying for assets and then those people who were overpaid were donating the funds to charities. And we were able to prove that by looking at things like intangible assets in corporate filings. This is extremely tedious, but we found what we needed.”

News in the digital and mobile era
FCC_JC23042016_0881LIMG_1780LThe next session discussed the evolving digital landscape for news and its relevance to reporters of any medium.

The panelists included Austin Ramzy, Reporter, The New York Times; Anjali Kapoor, Head of Digital Asia Pacific, Bloomberg Media; and Heather Timmons, Senior Asia Correspondent, Quartz. The moderator was Angie Lau, Anchor of “First Up”. Bloomberg TV.

Austin Ramzy said that when presenting news on mobile devices the writing needs to be tighter and faster. “So at the NYT we find that long stories and investigations can also work well on mobile devices. We also try to do a lot of stories with graphic elements, like incorporating people’s Tweets and video.

“This is the main way we try to capture a mobile audience.”

Anjali Kapoor said that with mobile devices you are talking about engaging the attention of someone who can flip off in a second, “so it’s very important how you engage people on the small screen”.

“You need to use the headline, image, caption…the experience…to draw them in so they want to read on. This works whether it’s short or long-form. In fact, long-form stories are popular on mobile devices.

“When you think about mobile tech – it’s the next generation from what the PC was and what websites were many years ago.

“With the small screen you want readers to stay. It makes you think about your journalism and the way you tell a story and the way you present it to keep them engaged and make them want to go on to your website or publication.”

One of the most engaging aspects of mobile devices are the mobile alerts. “People actually love mobile alerts. Putting together a mobile alert strategy takes some thought given the different time zones, markets opening and closing times, and which countries you are aiming for.”

Heather Timmons said that Quartz did research on what people read on mobile devices. Quartz then came up with something called the Quartz Curve which determines the length of a story. “As it gets longer – say in the 600 words bracket – people stop reading. So everything we now do is under 500 words or it is long and investigative – so we cut the 600-1,000 word trough.”

With regard to making a story engaging to keep readers, Timmons gave as an example the story Quartz did when Tsai Ing-wen was elected Taiwan’s president. “In the headline we said she was a cat lover and the story had amazing pick-up. We saw through the analytics that people had read through the whole story.”

It seemed to gain traction in Taiwan as well: for her Christmas message the president put out a video of her with cats.

“People came for cats and stayed for Taiwan’s history… it was a wonderful moment.”

The following were some of the other workshops and panel discussions.

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Sourcing through social media
The potential and perils of reporting in the age of Weibo and Twitter. How to find trustworthy sources and verify online information. The panelists were Iain Martin, Asia Editor, Storyful; David Bardurski, China Media Project Editor; and Sam Dubberley, Co-founder, EyeWitness Media Hub.

Challenging authority
Reporters are not there just to take notes – a conversation about how to challenge sources at the very highest levels of officialdom. The speaker was David Schlesinger, former Editor-in-Chief of Thomson Reuters in conversation with Juliana Liu, BBC Correspondent.

Cybersecurity
How to protect your digital devices – and your source – in the era of government surveillance and rampant online hacking. The moderator was Nan-Hie In, Freelance Journalist. The panelists were Ewen MacAskill, Defence and Intelligence Correspondent, The Guardian (via skype); and Leonard Weese, President, Bitcoin Association of Hong Kong.

The art of long form: feature writing
In the era of listicles and mobile readership the demand for compelling long reads is still strong – but keeping the reader’s attention is the key. Learn how to build rich narratives with strong characters, great anecdotes and the biggest context. The speakers were SK Witcher, Deputy News Editor, The International New York Times; and Phred Dvorak, Asia Money and Investment Editor, WSJ.

Covering conflict and disaster
From covering the civil war in Syria to violence in the streets of Hong Kong, a discussion of how journalists should prepare themselves for working in hostile environments. The moderator was Eric Wishart, AFP Global News Management; Speakers were Roger Clark, VP Asia Pacific and Hong Kong Bureau Chief, CNN; Ivan Watson, Senior International Correspondent, CNN; and Marc Lavine, Editor-in-chief Asia Pacific, AFP.

Front page photographs with your smartphone
Tips and tricks on getting maximum impact for your news photography. The speakers were Pedro Ugarte, Photo Director Asia Pacific, AFP; and Palani Mohan, Freelance Photographer.

The future of journalism
The moderator Richard Salamat, Anchor, Bloomberg TV. The panelists were, Jamil Anderlini, Asia Editor, Financial Times; Phiippe Massonnet, Regional Director, AFP; Ying Chan, Founding Director, HKU’s Journalism & Media Studies Centre; and Kristie Lu Stout, Anchor and Correspondent, CNN.

Photos by: Terry Duckham/Asiapix Studios

Human Rights Press Awards

High-quality investigative reporting scoops prizes
at Human Rights Press Awards

By Joyce Lau

hrpa04

The 274 entries submitted to the Human Rights Press Awards this year were of the highest quality that the Awards has received in its 20-year history. All major categories – in English and Chinese, in print, broadcast and (more…)

Greening of Asia

greening_of_asia_image001 The viral Chinese pollution documentary ‘Under the Dome’ has disappeared behind a wall of, no not smog – censorship. Created by former CCTV anchor and newswoman Chai Jing this documentary has been compared to Al Gore’s ‘An Inconvenient Truth.

Greening of Asia

Asia, particularly China, is an environmental disaster. Mark Clifford in his book “The Greening of Asia” – and at a FCC lunch – argues that there is a way out through a combination of business, government and civil society strategies.

[dropcap]A[/dropcap]s we all know, Asia has a lot of environmental problems. Mark Clifford, executive director of the Asia Business Council and formerly editor of the South China Morning Post and The Standard, a senior editor for BusinessWeek and the Far Eastern Economic Review, said he was staggered by the research into this book that showed just how bad it is.
“I originally thought of calling the book ‘The East is Black’, first coined by Time correspondent Sandy Burton [of the FCC’s Burton Room] more than 10 years ago, which the Chinese authorities didn’t take kindly to,” he said.
“I don’t want to sugar-coat the problems, however the book is unabashedly a glass-half-full kind of book: we have got a disaster, but I think there is a way out.”

Chai Jing coal towers - China burns more coal than any other country in the world – about half the total every year – and is responsible for more than a third of the greenhouse gases that impact global warming. AFP Chai Jing coal towers – China burns more coal than any other country in the world – about half the total every year – and is responsible for more than a third of the greenhouse gases that impact global warming. AFP

Chai Jing coal towers – China burns more coal than any other country in the world – about half the total every year – and is responsible for more than a third of the greenhouse gases that impact global warming. AFP
While Clifford’s book looks at all of Asia, his talk focused on China, arguably the most important country that needs to clean up.
Coal is at the heart of global environmental and energy problems. China burns more coal than any other country in the world – about half the total every year – and is responsible for more than a third of the greenhouse gases that impact global warming.
So, coal is bad on many counts: about 1.2 million people every year die from outdoor air pollution alone mainly through sulphur dioxide, 90% of which comes from coal emissions; 70% of China’s carbon emissions are from coal; and although carbon dioxide is not a pollutant, it is a significant greenhouse gas.
“In my book I focus on business and what business is doing because I think business day in and day out solves problems and takes challenges and makes opportunities out of them,” he said. “However, business does not operate in a vacuum, but as part of a three-legged stool of government, business and civil society.”
Civil society in China, despite the enormous pressure it’s under, is increasingly important. “You see a lot of localised protest against chemical and other highly polluting industries – though most of these are what I call not-in-my-backyard protests.
“However, all of us saw the reactions to Chai Jing’s quite stunning documentary ‘Under the Dome’, which was downloaded more than 300 million times in that first two-week period. It had an enormous impact. So much so, the government removed it from the Web.
“This shows the importance of civil society, even in the Chinese context,” he said. “I think China is now moving towards taking action.”
Clifford said that since 2007 the top leadership in China has made increasingly bold and assertive comments regarding climate change and air pollution. Like last November when Xi Jinping announced that China’s carbon emissions would peak by around 2030. “This is the first time China has a committed to a date, or even talked about it,” he said. “Although our research shows that it could be earlier than that, what is it going to take to get there?”

Toward clean energy
Clearly the climate wars are going to be won or lost on what China and the US – by far the two largest producers of energy – are going to do.
“If coal use has to peak by the mid-2020s, we will probably need some sort of carbon tax to speed the transition away from fossil fuels.
“As part of that transition towards 2030, clean energy will need to take up some 20% of the total – coal now is about 70%, so clean energy has to take some of that.
“China is going to need 800-1,000GW of clean energy,” says Clifford. “If China, which now has about 200GW of clean energy, mainly hydro and some solar, builds the 1,000GW it needs, it’s more than any other country other than the US. It’s an enormous amount of power to build.
“While I am focusing on solar and wind, I don’t want to ignore that clean tech for China includes hydro and nuclear energy.”
In fact, China has the most ambitious nuclear energy programme in the world, though it will be a drop in the bucket given that by 2020 it is expecting to add 57-58GW from nuclear power – almost as much as France. So nuclear doesn’t really move the needle for China.
“Solar and wind are increasingly important,” Clifford said. “Already China is the world’s largest solar panel manufacturer. It didn’t actually use the solar panels domestically but exported most to Europe and the US until a series of what I would call protectionist moves made it much more difficult to sell into those markets.”
In a way, that turned out to be a blessing in disguise, Clifford said, because it put a floor under the pricing for China’s solar manufacturers and saved some from bankruptcy, although it has not been a profitable industry.
“I say in my book that Suntech, which had been the world’s largest solar manufacturer, went bust because it expanded too quickly. Suntech and other individual companies’ loss in terms of profitability, has really been to the rest of the world’s gain because we have seen solar prices fall by more than 80% because of China’s manufacturing capability in the past decade,” he said.
As the international markets have become more difficult, China has turned to the home market. “In the first quarter this year alone, it has installed 5GW of new solar capacity, which given the fact that Germany is the largest solar producer in the world with 38GW, it’s almost unbelievable.”

China is the world’s largest producer of solar panels and installed over 5GW of new solar capacity domestically in the first quarter of this year. Chin leads the world in wind turbine capacity at 15GW of output. AFP

China is the world's largest producer of solar panels and installed over 5GW of new solar capacity domestically in the first quarter of this year. Chin leads the world in wind turbine capacity at 15GW of output. AFP China is the world’s largest producer of solar panels and installed over 5GW of new solar capacity domestically in the first quarter of this year. Chin leads the world in wind turbine capacity at 15GW of output. AFP

Wind could be it
At the end of 2014, China had, by far, the most wind capacity in the world at 150GW. “Although wind is extremely cost-effective – the second most cost-effective after coal – China has some problems here because even though it has all this capacity, the US produces more electric power from the wind because it actually hooks the turbines up to the grid,” Clifford said.
“A lot of the problems we see in other parts of the Chinese economy are writ large in the electricity grid sector. It’s something that China has to do something about if it wants to reap the benefits of its investment in clean tech.”
So, on a theoretical basis at least, the wind potential is almost limitless in China. Some US and Chinese researchers estimate that wind could meet all of China’s electricity needs by 2030.
“Of course, this is highly theoretical, but the point is the wind is there, it’s cost-effective, and at this point it’s a matter of getting the grid and the policies right to make sure that these assets generate electricity.”
Ten years ago China had almost no wind capacity domestically and didn’t export wind turbines very much – a very different picture from solar. “However, China went through a really aggressive localisation programme where foreign manufacturers’ share of the wind-turbine market went from about 78% to about 14% in under a decade as China did everything it could to create a domestic wind-turbine industry.
“It’s important to remember that though there are a lot of problems – profitability for individual companies and linking turbines to the grid – this is real and not just smoke and mirrors: China spent US$89 billion last year on clean tech (US in the low 50s).”greening_of_asia_image003
Clifford said that what is also impressive is how the region – Asia ex-China – performed with spending more than US$60 billion on clean tech last year, about the same as the EU. Asia is playing catch-up, but it is putting in the money and resources; and it’s not only government initiatives and policies but a lot of corporate work as well.
“What works best is when government, business and civil society work together; and that we are using prices as much as possible to drive change as opposed to super-detailed regulations.
“And businesses are really giving the lead and direction to do what they do best, which is to solve this kind of problem,” he said.

greening_of_asia_image005

How green was my
Special Administrative Region
By Gavin Coates

[dropcap]M[/dropcap]ay 6 1982: My first morning in Hong Kong. Desperate to brush my teeth after a night out at the Bull and Bear and Disco Disco, I staggered to the bathroom, turned on the tap and waited in vain. Outside was torrential rain the like of which I had never seen before, but like a latter-day, urban Ancient Mariner I had not a drop to drink.
I mention water rationing, because this partly explains why so much of Hong Kong Island and the New Territories was not developed. Not only is it difficult to create construction terraces on mountains, but before Hong Kong could buy water from the Mainland, the water catchment areas and reservoirs were of critical importance and had to be kept free of development. It’s no coincidence that the Country Parks largely overlap with these catchment areas. Like many, I was astonished at the beauty and extent of the Country Parks only fairly recently established thanks to the governor, Sir Murray MacLehose. They and the other undeveloped hillsides, islands and beaches alone, endow Hong Kong with exceptional green credentials in terms of the proportion of protected land area.
The New Town Development Programme was instigated in parallel with the establishment of the Country Parks and this really kicked things off for the landscape architecture profession here, with a lot of help from former FCC member Michael Kirkbride. Entirely new cities like Shatin rose from nothing, starting in the mid-1970s, followed by Tai Po, Fanling, Tuen Mun, Sheung Shui and Yuen Long. The Hong Kong new town programme was to some extent a transplant from the British new town programme, requiring landscape architects to design the open spaces, parks, housing estate landscapes, as well as the greening of the road and land formation infrastructure.

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Green times
From 1982 I worked mainly on Tseung Kwan O New Town (formerly Junk Bay) and various housing estates. I’m particularly proud of having been involved in the design of Yuen Long Town Park, completed in 1991. Unlike most other Hong Kong parks, which are terribly regimented, it is much freer; people sit on the grass, have picnics, play Frisbee, and relax, like in a real park.
In the late 1980s I was involved with the preservation of the big banyan tree at Pacific Place between the Conrad and Island Shangri-la hotels. Around the corner, the waterfall and lake area of Hong Kong Park turned out really well; the main waterfall must feature in countless wedding photographs. Try knocking on the stone face and you’ll find it’s hollow – all artificial but very professionally so.
At that time, I also started doing illustration and cartoon work, which became my main line of work until 2004. From 2000 to 2008 I drew the daily editorial cartoon for The Standard newspaper and a weekly cartoon for Hong Kong ComputerWorld from 1987 until 2004.
For the past 11 years I’ve worked on a series of Greening Master Plans (GMPs) commissioned by the Civil Engineering and Development Department of the Hong Kong government. Although the scope of the GMPs was mainly restricted to the streets and roadsides, more than 20,000 trees have been planted so far, scattered all over the urban areas of Hong Kong and Kowloon.
It really is quite exciting to be able to go around the city and check up on how they’re doing.

greening_of_asia_image007

The GMPs were great as far as they went, but did not change the layout of the city. They did not address circulation or land use issues. If you wanted to green Queen’s Road East, for example, the vehicular lanes would have to be drastically reduced in order to plant trees down the street. Then you are up against entrenched attitudes. When it comes to this topic our policymakers seem to be stuck in the 1950s. The rest of the world is moving on, and urban design is increasingly about pedestrianising, reducing traffic speeds, widening footpaths, and putting in bicycle lanes. In Hong Kong the streets are exactly the same as they were when I first saw them in 1982. There has been little positive progress, and it is a bit frustrating.
Another area I would love to get my hands on is the ‘urban fringe’, that is the areas between the Country Parks up on the hillsides and the urban areas themselves. Many of these areas are former squatter areas which are now fenced off. They have tremendous potential to be developed as informal parks and woodlands, easily accessible to the urban population and dramatically improving accessibility – the slopes below Tai Hang Road, for example.

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Good and bad
Much has been achieved over the years and there is still progress, albeit painfully slow. The opening up of the Central Waterfront Promenade is a huge step in the right direction – after waiting 150 years people will finally be able to walk along the seafront from Central to Wan Chai.
By the way, that whole waterfront is zoned as a park, let’s just hope we don’t have to wait another 20 years or more for it to be built.
The West Kowloon Park should finally appear in a few years, two decades after the land reclamation was carried out. Progress in urban planting is of course only one component of being green, and is frankly reduced to window dressing if the government persists with endless highway construction and massive, highly destructive projects like the rubbish incinerator proposed on Shek Kwu Chau island off Lantau.
When you go back to your old projects and see people enjoying the environment, you see the trees you planted now mature, that is very exciting. Now, I am teaching landscape architecture at HKU. I hope to encourage students to be bold in their thinking, to develop a passion for plants, design, and to make a positive difference. All we need now is a CE with a green rather than reinforced concrete mindset.

Photos by Gavin Coates

Green story books

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[dropcap]I[/dropcap]n the grounds of the Eastern and Oriental Hotel in Penang stands, or at least stood, a truly magnificent tree. One that I could not identify, which for someone with an interest in trees, is always frustrating. I showed its impressive fruit to various people to no avail until the Tamil doorman proudly announced it was aptly called a ‘horseball tree’. The herbarium at Singapore later told me it was a Sterculia but somehow the first name was more evocative.
The image of the tree and its potential progeny remained with me and when I was confronted with responsibility for my own progeny in the form of my newborn son, a story began to germinate. The result was my first illustrated book “The Last Nut”, dedicated to all children under the age of 125, which I bet includes you. I’ll let you discover the story yourself, and say only that it involves a nut that becomes a mighty tree and that the most important character can be seen in the mirror at the end of the story.
The best way to distribute the book turned out to be by visiting schools, reading the story, and asking the schools to send out order forms afterwards. I quickly learned that the majority of children are way ahead of most adults when it comes to curiosity and concern about our environment.
A second book “Pinky the Dolphin and The Power That May Be” followed, a story about the plight of the pink dolphins that live off Lantau, again ending with the mirror.
This was followed by ‘The Search for Earthy’s Best Friend’ featuring a characterisation of our planet, with guess-who at the end of the story.
These three books suit the 5 – 10 age group, other titles “Earthy Love” and “Earthy is Nuts About Trees” cater for younger readers or listeners.
Other titles include “My Life My Chopstick”, which explores the futility of life as a single, megalomaniac chopstick, but ends with a happy pair.
I have read these books to thousands of children and am always amazed by their incisive questions.
I wrote and illustrated all the books and if you would like to find out more, please have a look at http://www.earthypublications.com/. FCC members are welcome to order from me directly.

Gavin Coates

Academic freedom under vicious attack says Chan

Professor Johannes Chan, speaking at a Human Rights Press Awards fundraising luncheon on December 10, addressed the cloud of controversy that has followed him this year, calling into question the larger issue of academic freedom in Hong Kong.

The uproar started in the months leading up to the University of Hong Kong council’s long-delayed decision in September to reject the former Law School dean’s appointment as vice-chancellor. Tensions had already risen over the summer, as students held protests, distributed petitions and even stormed a meeting over the case.  Chan, a former Human Rights Press Awards winner, is known for his liberal views on democracy.

The move to block a critical voice at the city’s top educational institution came at a time of increased concern about broader freedoms in the city. Leaked recordings, threatened legal actions against students and a gag order against local media have since been linked to the case. (The FCC Press Freedom Committee released a statement in November about the gag: http://www.fcchk.org/node/6096)

“It is painful even to recollect these events,” Chan said to a room packed with FCC members, as well as local TV crews and reporters. “This incident is not about myself. If it were, I would have just withdrawn long ago. But it is about something much more important: it’s about our fundamental rights and freedoms, about what a university means to us.”

A school is not only a place where teachers teach and students memorise, but “a place where knowledge is created, gathered or discovered,” Chan said. “A university is characterised by its scepticism of and readiness to challenge conventional values.”

He contrasted Hong Kong’s academic culture with that of mainland China, where universities are “state institutions”.

“Independence inevitably means that not all views expressed by academics are acceptable to the governing regime,” he said. Because of this, “academic freedom is of particular value, not just to the academics, but to the community as a whole.”

He warned that his own case was only the latest in a series of threats to academic freedom, which he called a constitutionally protected right “to conduct research, teach, speak, and publish, subject to the norms and standards of scholarly inquiry, without interference or penalty.”

Chan described his own case, in which the Chinese state-run media launched a personal campaign against him in the lead-up to the university decision. “An overwhelming and sustained attack, with over 350 articles over a sustained period of nine months… by the pro-China media, including even the People’s Daily, is, to say the least, highly unusual, if not political,” he said.

Chan is seen as being close to Professor Benny Tai, the leader of the Occupy Central movement who is also on the HKU Law School faculty. However, he dismissed criticism that he was somehow personally behind the mass protests last year, as he was not even in Hong Kong. (He was working as a visiting professor at the University of Pennsylvania’s law school).

In a tongue-in-cheek comment, he referred to himself in the third person: “The recommendation was first leaked and criticised in November 2014 by a pro-China newspaper, apparently on the grounds that the candidate had, during his deanship, failed to prevent his colleague from promoting and eventually conducting a massive movement of civil disobedience, resulting in the occupation of the main thoroughfares of the territory for 79 days.”

Chan’s harshest comments came during the Q&A session, when he was asked about Arthur Li, a former education minister who was shown by the leaked recordings to be the pro-government figure who pushed against Chan’s appointment. Li cited Chan’s lack of a doctorate as proof that he was not academically qualified, even though he was the longest-standing dean of Asia’s top law school.

Chan hit back saying that Li himself was unqualified for a job he is tagged for – as head of the HKU council. He said that body had to be “inclusive and bring people together” – and that Li was “not that type of person”. He added that Li and the council did not have the support of the great majority of teachers and students.

Chan said it “does not require a PhD” to figure out that political interference was at play in blocking him from the position.

He also criticised the law that makes Hong Kong’s political leader, Chief Executive CY Leung, the chancellor of all of the city’s publicly funded universities. Leung’s chancellorship would normally be seen as a figurehead role – it’s the vice-chancellor who is in charge of the day-to-day operations on campus.

The December 10 fundraising luncheon marked the official launch of the Human Rights Press Awards’ 20th anniversary edition and the opening of the 2015 contest’s entries period. It was held to coincide with the UN’s Human Rights Day.

Chan joked that he was was now part of the HRPA’s “distinguished victims speakers list”, along with Ching Cheong (a Straits Times journalist who was jailed in China for almost three years) and Kevin Lau (a Ming Pao editor who was attacked by knife-wielding assailants after publishing critical reports on China). Both Ching and Lau were in the audience that day.

Joyce Lau is the director of the Human Rights Press Awards. For more information, go to HumanRightsPressAwards.org.

 

 Working with Henry Steiner

It turns out that world-renowned graphic designers are driven by the same motivations as work-a-day journalists: a tight deadline and a hot meal. 

I was flattered when Henry Steiner – a globally recognised branding expert who has worked with HSBC, IBM and other corporate giants – referred to me as an inspiration behind the new look he created pro bono for the Human Rights Press Awards’ 20th anniversary.

“It’s not often that an attractive young woman picks up the bill,” he joked about a working lunch we had in the FCC in August. It was then that I laid down a hard deadline, the way only a news editor can. “The taxi meter was ticking. The flag was down,” Steiner added.

The process of creating a new mark for the HRPA began at this lunch, when Steiner spent most of his time doodling on the FCC’s yellow paper placemat. He drew quickly while we tossed around the images usually associated with protest and censorship: barbed wire, a chain, a fist, a placard, a bullhorn, a loudspeaker, a microphone. Steiner told me not to show his sketches to anyone yet (the clucking chicken idea was probably not going to make it).

Later, he started taking photographs of padlocks – old locks, rusted locks, locks holding doors or chains holding doors closed. One particular image – the black silhouette of an open lock hanging loose against a neon-red Chinese sign – struck him.

At the HRPA’s fundraising luncheon, Steiner used a PowerPoint presentation to take the audience through his months-long creative process. He explained that the curved part of the lock is called the “shackle” – an appropriate term for an organisation that often awards journalistic works about jailed dissidents and speakers.

The small indent on the edge of the shackle is called the “notch.” And when viewed from the side, it looks like a person’s face in profile, with the notch as the nose. “Reporters are nosy,” Steiner said. “They have a nose for news.”

It was apt that a media award had a design that included a play on words.

Steiner drew locks wherever he could – once, ironically, on a large South China Morning Post photo of Xi Jinping against a red wall at a military event.

“I’d rather get an idea down quickly than to put it in a nice book,” Steiner said.

This is how Steiner came up with the “unLock”, a bold new mark set in black and ochre. (For font geeks out there, he chose the appropriately named “Impact”, which has a blocky, headline-type look).

He and his team at Steiner & Co. are painstakingly redesigning the HRPA’s materials, from the look of our website to our entry forms and business cards. They also created great T-shirts, a few of which Steiner signed with elegant silver ink at the December 10 fundraiser.

“For a man with a key, everything looks like a lock,” he said.

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